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- Basic Modes -

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The following modes are based around the major system. The major scale forms the basis for all other modes in the major system. Other modes are created by adding accidentals to raise or lower certain degrees of the major scale to produce different scale patterns with differing intervals to create certain tonal "moods". 

"I like to create my own modes, for example by starting with the Dorian mode and adding in a flat 5 (blues) note to give a different flavour"

The Major Scale

The major scale forms the basis for modes in the major system. The major scale can be played over all chords in a major key. 

 

Mixolydian

The Mixolydian mode is associated with the 5th (dominant 7) chord in the major system (eg. G7 in C Major). It is created by lowering the 7th degree of the major scale.

It can be played over a dominant 7th chord, often used in Jazz 12 bar blues progressions. 

 

Dorian

The Dorian mode is associated with the 2nd chord (minor) in the major system (eg. Dm in C Major). The dorian mode extends the mixolydian mode by the addition of a lowered 3rd degree in addition to the lowered 7th degree.

The dorian mode is often played over a ii-V chord progression, eg. Gm, C7 in F Major.

 

Lydian

The Lydian mode is associated with the 4th chord (major) in the major system (eg. Fmaj7 in C Major). The Lydian mode is formed by rasing the 4th degree of the major scale.

The lydian mode is played over a IV Major chord, normally a Maj7 chord. The mode adds an "eastern mood" to the major chord. 

 

Aeolian

The Aeolian mode is associated with the 6th chord (minor) in the major system (eg. Am in C Major). The aeolian mode extends the dorian mode by the addition of a lowered 6th degree, in addition to the lowered 7th and lowered 3rd degrees.

When soloing over a minor chord one is often faced with the choice of using either the dorian or aeolian modes. The dorian mode provides a "jazzy" minor sound, whereas the aeolian mode provides more of a "classical" minor sound. 

 

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